Haruka Teramoto is a moving image artist who explores the formal conditions of cinema — frame rate and placement, the fixed viewpoint, the precise yet incomplete nature of photographic recording — as both poetic conditions and subject matter. His characteristic methods are the superimposition of disparate elements, transformation and misreading, and poetic enumeration.
His current central concerns include: the dissolution of difference through acceleration and its conversion into equivalence; a critique of the feed through such meditative self-dissolution; the hallucinated simultaneity produced by alternating frame placement; the reciprocal tactility this induces in conjunction with the fixed viewpoint; and the emergence of a circuit of declared pain.

寺本遥は、映像の形式的条件——フレームの速度や配置・視点の固定・精確で不完全な記録性など——を詩的条件かつ題材として探求する映像作家です。典型的な手法は、異なる要素の重畳、変換と誤読、列挙です。
現在の中心的な関心は、60fps/120fpsという映像の形式、加速による差異の消失と等価性への転換、そのような忘我的瞑想性によるフィード批評、フレームの交互配置によって幻覚される共時性、そこに視点の固定も作用して引き起こされる相互的触覚性、そしてその触覚的な場における痛みの宣言の回路の現出です。

Master of Fine Arts
(Kyoto City University of Arts, 2023)

2026.05: "FUTURE IDOL - NANIMONO" was selected as one of the 50 videos for the MUSIC AWARDS JAPAN 2026 : Best Music Video (最優秀ミュージックビデオ作品賞)

2023.07: "a room" nominated in the 21st edition of FANTOCHE International Animation Film Festival

2023-2026: 映像作家100人 | 100 JAPANESE MOTION GRAPHIC CREATORS